Friends of Greyfriars Kirkyard
helping to understand, appreciate & conserve Greyfriars Kirkyard in Edinburgh
A few weeks ago, Friends of Greyfriars Kirkyard trustees Chris Cooper (Treasurer) and Mark Hatton (Chair) gave two fascinating talks at an evening lecture put on by Edinburgh World Heritage. Chris shed further light on the man (and woman!) behind the enigmatic Bayne monument while Mark made a compelling case for why the George Heriot marker can be considered a trendsetter for monument designs in the years that followed. Both talks can now be viewed on YouTube.
The cracks that were threatening the integrity and symbolism of the Bannatyne Monument have been repaired. Nic Boyes, a highly skilled and experienced stone conservator, set about the task by injecting a paraloid in to the cracks, then applying resin. This will hopefully ensure that this wondrous example of 17th century symbolism is preserved for future generations to admire and marvel at.
Stone Conservation Students watched on to learn the techniques being used. Mark & Kev from the Edinburgh Bereavement Services erected the platform and took the opportunity to remove the buddleia and privet that was growing on the monument. Thanks to Susan at Edinburgh World Heritage for organising and funding the conservation work. It is fantastic to see this monument cherished like this.
In time for the James Hutton memorial concert in Greyfriars Kirk on Saturday, the Hutton lair in the Covenanters has had a makeover. The drain was taken out by Edinburgh University, Edinburgh Bereavement Services then made good the wall, we thoroughly weeded the lair and today 2 tons of nice new gravel was put in and levelled out. It now looks fly !
There is one particularly gruesome and disconcerting tomb in Greyfriars Kirkyard, which is on the West Wall. This is the family tomb for the Chiesley’s. It features a spatchcocked skeleton, wearing a crown whilst floating in a skull soup, looking as if it has just given birth to a basketball. One may well ask “why” would the Chiesley Family choose such imagery for their family memorial. Well this is a rather “colourful” family, which had some rather unusual lifestyles and stories. Let’s just consider three members of this family, Robert Chiesley, his brother John and John’s daughter, Rachel.
Robert Chiesley was a successful Merchant, who lost a fortune in the Darien Scheme and then lost his mind, ending his days as a resident in Bedlam, just a few yards from Greyfriars Kirkyard.
John Chiesley abandoned his wife after they had 10 children together. When Judge Lockhart ordered John to pay alimony to his wife he was so offended that he followed the Judge home and shot him dead in the street. He never denied the Murder, simply saying he was judging the Judge for his outrageous verdict. John was tortured, then taken to the gallows, where his right hand was cut off and he was then hung in chains with his gun tied around his neck. Ever since his ghost has been named Johnny One Arm.
But it was John’s Daughter, Rachel, who perhaps had the maddest life. Rachel was only ten years old when her Father was executed and she grew up to be quite a “wild lady”. It is said that she fell pregnant by James Erskine, aka Lord Grange, then forced him to marry her by holding a gun to his head. She went on to have 9 children with Erskine.
When she discovered he had a mistress she variously threatened to commit suicide, or to run naked through the streets of Edinburgh, or to expose Erskine for his Jacobite sympathies, something that could have got him in to a heap of trouble. So Erskine arranged for Rachel to be kidnapped. He made up a story that she had died and he arranged a funeral at Greyfriars to prove it. Meanwhile Rachel was taken to a tiny, barely habited island off North Uist called Husker, where she lived in very basic conditions for two years, before being moved to a tiny stone hut on St Kilda (called a Cleit) where she was held in even worse conditions for 6 years. She wrote that “I was in great miserie in the Husker but I’m ten times worse and worse here”.
At the age of 61 rumours that she was being held on St Kilda caused a rescue party to set sail to find her, but she had been moved, eventually ending up on Skye. She was initially housed in a cave, before a humble cottage became her secret home for the final few years of her life. Initially she was buried under the cover of darkness at Waternish. When her existence and death became known, another well attended funeral was held for her, in which the coffin was apparently filled with stones. Her story became very popular and features in many songs, poems, novels and even a play.
So next time you are in Greyfriars Kirkyard, take a look at the gruesome Chiesley Tomb and reflect on what a Mad, Bad, Dangerous & Tormented family they were.
A talk by Chris Cooper on the The John Bayne of Pitcairlie Mausoleum, Greyfriars Kirkyard, Edinburgh. Focusing on the lives and legacies of John Bayne and Eupham Aikman.
This talk was given on 18th April 2026 as part of the Legacies in Stone community heritage project. Brought to you by Edinburgh World Heritage, the Friends of Greyfriars Kirkyard, and the City of Edinburgh Council as part of the Legacies in Stone project. Funded by the National Lottery Heritage Fund, thanks to National Lottery players.
To view this talk on our YouTube channel please Click Here
As the 300th anniversary of the birth of James Hutton approaches (3rd June) we are getting more geologists wanting to visit his memorial. The respect and affection these visitors have for James Hutton serves to remind us just how great an impact this man had and continues to have on people who understand his genius, have studied his work and followed in his footsteps by becoming geologists.
Every one of the people buried at Greyfriars Kirkyard have individual stories, deserve to be remembered and respected for the lives they lived. But very few still command the esteem and reverence of James Hutton.
A Group from the Geological Society of America in Edinburgh this week to celebrate James Hutton’s anniversary’s
An American Couple who have long admired James Hutton and flew in to Edinburgh so they could lay a wreath at his grave.
Delighted to report that the memorial for Walter Scott (Father of Sir Walter Scott) and several members of the same family has been restored and remounted in the Kirkyard today. We embarked on this project as the stone had fallen over and become illegible, so very few people realised that the Scott family burial plot was here. Walter Scott was an Elder at Greyfriars Kirk and the whole family (including Sir Walter Scott) were members of the congregation here for many years. They didn’t have a gravestone until this one was erected many years after their passing. Now it stands again.
Many thanks to Robertson’s Memorials for fixing the stone, to Edinburgh Bereavement Services for mounting the stone, to The Edinburgh Walter Scott Club for supporting the project and to our Members of the Friends of Greyfriars for raising the funds to pay for the work.
This is a slightly odd one for several reasons. Firstly it is inside the Greyfriars Kirk rather than outside. Secondly, it spent the first 290 years of its life elsewhere and was only moved here in 1938.
This is the memorial for Lady Yester (1572-1647). Margaret, Lady Yester donated funds to complete the Tron Kirk on the High Street in 1641 and further funds to build a new Kirk on Infirmary Street in 1644. This new Kirk bore her name. Lady Yester was buried in an aisle at that Kirk when she died aged 75 in 1647 and this elaborate memorial plaque was raised above her grave.
The original Lady Yester Kirk building was replaced in 1805 (with Lady Yester’s memorial retained) and in 1938 that Kirk building was sold to Edinburgh University to be used as their Estates Office (a role it still serves) and the congregation merged with Greyfriars. At that time Lady Yester’s memorial was itself moved to Greyfriars Kirk and now occupies the South East corner of the Kirk (known as Lady Yester’s Aisle).
Lady Yester’s memorial is very ornate with gold gilding and inlays that make it stand out. At the bottom of the plaque is a skull and crossbones on a swag. At the top is the family’s Crest consisting of a radiant sun beneath the family motto “LUX VENIT AB ALTO” (“light comes from on high”). The central panel is framed by pillars between which is another skull and crossbones topped by an hourglass, wings, and blades of corn. This is surrounded by the mottoes “MORS PATET HORA LATET” (“death is sure, the hour unsure”) and “SPES ALTERA VITÆ” (“hope for another life”). The inscription (with its quirky spelling) reads :
IT’S NEIDLES TO ERECT A MARBLE TOMBE
THE DAYLIE BREAD THAT FOR THE HUNGRY WOMBE
AND BREAD OF LYF THY BOUNTIE HATH PROVYDED
FOR HUNGRIE SOULES ALL TYMES TO BE DIVYDED
WORLD LASTING MONIMENTIS SHALL REARE
THAT SHAL ENDURE TIL CHRIST HIMSELF APPEARE
POS’D WAS THY LYF PREPAR’D THY HAPPIE END
NOTHING IN EITHER WAS WITHOUT COMMEND
LET IT BE THE CAIR OF AL THAT LIVE THEREFTER
TO LIVE & DIE LIKE MARGARET LADY YESTER
WHO DIED 15 MARCH 1647 HER AGE 75
A Landmark Discovery
Something remarkable just happened at Greyfriars Kirkyard. On April 18th, a team of volunteers, archaeologists, and conservators achieved what hasn’t been done in living memory: lifting the massive ledger stone within the John Bayne of Pitcairlie enclosure.
The Rescue Mission
For decades, photographic records showed the stone slowly being swallowed by the earth. After carefully clearing the topsoil, the team discovered the stone had cracked under the pressure. It has now been entrusted to expert stone conservator Nic Boyes for off-site repair before its eventual return to its rightful place.
The Mystery Below
Beyond the stone itself, the team was hunting for a hidden vault. With the Pitcairlie mausoleum showing signs of settlement, understanding the ground conditions is vital for its survival.
The findings so far:
A Future Secured
These are small steps, but they are essential. Every discovery brings this Category A listed structure one step closer to a safe and secure future.
Two ways to stay tuned as we continue to peel back the layers of Edinburgh’s history. Please become a member of Friends of Greyfriars Kirkyard at fogk.org or join the Edinburgh World Heritage mailing list at ewht.org.uk
Supported by: the National Lottery Heritage Fund, thanks to the National Lottery players and the City of Edinburgh Council. Legacies in Stone: Connecting Communities with Historic Graveyards is a partnership project with Edinburgh World Heritage.
There is no doubt in my mind that the Foulis Memorial and the Bannatyne are the two most outstanding examples of monumental architecture in Greyfriars Kirkyard. Each stands alone as soaring celebrations of the symbolism of death, resurrection and status. Each is a sermon in stone that speak volumes about the people they were raised to memorialise and the time in which they died. But do they somehow speak to each other ?
The Foulis was commissioned by George Foulis, the son of the deceased and it was created by the finest Master Mason of the period, William Ayton, in 1633/34. The Bannatyne was commissioned by Janet McMath, the young wife of the deceased and also created by William Ayton in 1635. Whilst each monument has much in common, they are different in some obvious and perhaps quite subtle ways.
The Foulis is designed to be a “look at us” monument, with the portraits of the deceased loving power couple taking centre stage. They look down on viewers from their lofty stance, where they are dressed to impress in their grand, perhaps rather haughty, clothing. Despite the inscription describing them as “humble”, there is nothing remotely modest or reserved about this memorial. One can’t help but think the Kardashians would approve.
The Bannatyne on the other hand is designed around the theme of Vanity and the need to avoid it. “Vanitas” is the use of symbolism to convey the meaning that life on earth is but a passing phase in which ambition, and worldly desires are futile, a mere vanity. Vanitas artwork developed and became very popular in Holland in the 16th & 17th centuries, where many Scottish people went to study, trade or escape. They were influenced by this art and inevitably brought it back to Scotland. This genre is depicted on the Bannatyne with symbols showing a Cherub blowing bubbles, amongst flowers and smoke, with the words “Nothing evades Death” and “What is Man’s Life ? A shade, a smoke, a flower ; short to the good, to the bad doth long endure” and “know the vanity of transitory things”.
Perhaps this theme on the Bannatyne serves deliberately to contrast with the excessive flamboyant pretentious pomposity of the Foulis ? So could Janet McMath be speaking to George Foulis, saying “I disapprove of your vanity” in a rather subtle & dignified manner ?
That either Monument was tolerated by a strictly Protestant society in 17th Century Scotland is something of a surprise. Although perhaps Charles I’s attempts to reintroduce colour, style and ceremony in the 1630’s was almost encouraging such elaborate works.